Madacy Jazz
for 7:1 mux and flip-flop at randomby Kieran Daly
THREE-VOICE PHASE MODULATION AND PANNING SCHEDULE (QUASI-TUTTI) arranged for b-flat clarinet, horn, trombone, and three violinsby Kieran Daly
Single-Stream Iteration of Sliding Sounds with Quasi-Periodicityby Kieran Daly
Plays Standards with Dan Fortin and Philippe Melansonby Kieran Daly
Track 1 by Agnès Pe, Track 2 by Kieran Dalyby Agnès Pe, Kieran Daly
Piano Recitalby Sam Sfirri
Wind Quintet I-IV, Soloby Kieran Daly
Live Worrying / Live Auditory Neotaxis Syndromeby Ashcircle / Kieran Daly
Chromatic Waltz And Normal Dayby How To Write
What About Jophnieby Kieran Daly
Four Improvisationsby Kieran Daly and Sam Weinberg
Monophonic Forms of Glissandi and Tempo Modulationby Kieran Daly
Experimental Music and The File Drawer Problemby Kieran Daly
Four Slow-Fast Solos via Studioby Kieran Daly
Demoby Kieran Daly & Sam Weinberg
Clavinet Pieces 2008by Sam Sfirri
One- and two-channel electroacoustic piecesby Kieran Daly
On adaptive nonlinear stretching, stick-slip, and squeezing compositionby Kieran Daly
Period "buzz" period "honk" structure and bending impromptusby Kieran Daly
Something something "Lyapunov exponent" solosby Kieran Daly
Fantasia, Scherzo & Toccataby Sam Sfirri
"Violin, Viola, Trombone, Tuba Quartet" attempting to play tutti—"approximating tutti"by Kieran Daly
Two admins and their compositionsby Kieran Daly, Sam Sfirri
Plays Standards with Henry Fraser and Tom Raineyby Kieran Daly
My debut schedule and then a polyphony forayby Kieran Daly
Live Concert (Single-Sided Split)by Sam Weinberg, Kieran Daly
Seven compositions for direct sound synthesis, fixed media, and musical instrumentsby Kieran Daly
Pieces for piano two hands, two fingers (two hands), and one fingerby Sam Sfirri
Pre-recorded guitar monophony with unaccompanied improvisationsby Kieran Daly
A few sequential electroacoustic contributionsby Kieran Daly
Very logical monophonic compositions for synthesized soundby Kieran Daly
Patriarchal Musicby Kieran Daly
Emended several kerplunk masking techniques without oeuvreby Kieran Daly
Low-frequency pulse-train jitter as compositional determinantby Kieran Daly
Solo Vol. II (2015) (2020 Remaster)by Sam Sfirri
The Crucible of San, different Sam, and Samby Sam Sfirri
End-Accented Electroacoustic Audioby Kieran Daly
San on Pianoby Sam Sfirri
Despised Instrument (i.e. Guitar) Solos Omnibus Having 'Salient Features' Kerplunk Montageby Kieran Daly
chamber music mmxviii-mmxxby Kieran Daly
The impact of different Samby Sam Sfirri
Plays Standardsby Kieran Daly
Rota Fortunaeby Sam Sfirri
Untitledby Kieran Daly
2019 Winter NAMM Boothby Kieran Daly
recently notated musicby Kieran Daly
J. Pastorius for Solo and Ensembleby Sam Sfirri
Untitledby Kieran Daly
Untitledby Kieran Daly
different word than 'see track titles' (for fuj)by Kieran Daly
fuj's fur taking a few chorusesby New Apsirs Group
"I Can't Get Started"by Sam Sfirri
PLAYS AH ET AL (2015-2018)by Kieran Daly
Approaches to Bandmembershipby Sam Sfirri
Slate—Earlyby Kieran Daly and Jason Roebke
Sam on Pianoby Sam Sfirri
Solo Worksby Jophnie Advar
SFIRRI: SERIOUS WORKS IN CONCERTby Sam Sfirri
Earlier Kieran Vocal Compositions 2017by Kieran Daly
Different Jophnieby Kieran Daly
"Aftershane"by Sam Sfirri
live 1/f fakebook buffer without solos (COVER)by Kieran Daly
untitled pluff BGM w ossiasby Kieran Daly
Apsirs Group (2016)by Kieran Daly
Skylarkby Sam Sfirri
missa tota alauda (musica ficta continuo)by alauda inlaudatus
Solo Vol. IIby Sam Sfirri
Apsirs Group / Skylark Trioby Apsirs Group / Skylark Trio
Downlarkby Sam Sfirri
Jophnie and Kieran For Four Daysby Kieran Daly
Ballads!by Jophnie Advar Trio
Live at Gate F32by Peter Ind feat. Gate F32