saamleng
Waterfrontby Mirt • Ter
Wat Phayanakharatby Mirt • Ter
Wat Analayothipyaramby Mirt • Ter
Wat Phra That Doi Moung Khamby Mirt • Ter
Wat Phra That Phu Khwangby Mirt • Ter
Wat Phra Puttha Leelaby Mirt • Ter
Wat Chalermprakiatby Mirt • Ter
Back to the Islandby Mirt
Ice Tectonicsby John Grzinich
Notti nel portoby Mirt • Ter
Is This Already a Silence?by Mirt • Ter
Letter from Ceylonby Michał Wiśniowski
European Nightjar vs the Anthropoceneby Mirt
Sounds of Cambodian Speakersby Mirt • Ter
Steelworks on the Edge of the Forestby Dawid Chrapla
Storm Approaching Over Wat Phu Thongby Mirt • Ter
Phra Maha Chedi Tripob Trimongkolby Mirt • Ter
Bangkok Protestsby Mirt
Signal-To-Pollution Ratioby Mirt
Birds and Beesby Jacek Chmiel
Cabo de Hornosby Ewa Orzeszko
Laos Street Recordingsby Mirt • Ter
More Tarutao Recordingsby Mirt
A Winter Night on Tarutaoby Mirt
Khlong Maha Nakby Mirt • Ter
State of Matterby Mirt • Ter
Windy Outsideby Mirt
Guy Wire by the Railway Trackby Mirt
Rain Over the Forest Pondby Mirt • Ter
Low Tide Recordingsby Mirt
Bartołty Małeby \\'
Snow and Trainsby Mirt
Another Day on Tarutaoby Mirt
Místní rozhlasby Jacek Szczepanek
Himalaya and Karakoram • Voices from the Mountains • 1971–2003by Bogdan Jankowski
The Voice of Steelworksby Dawid Chrapla
Resonanceby Mirt
Studies On The Production Of Underwater Soundsby Mirt • Ter
Tristes Tropiquesby Mirt
Spomeniksby Bolesław Wawrzyn & Paweł Starzec
Amphibian Choirs Compilationby Mirt
Manieczki Soundscapesby Jacek Szczepanek / Kolektyw Terenowy
BKKby Mirt
Deer Rut Timeby Katarzyna Szczerba • Andrzej Załęski • Tomek Mirt
Blue Frogsby Mirt
Black Fridayby Mirt
Songs and Prayers from the Kathmandu Valleyby Mirt
Drinking Horchataby Mirt
A Winter Day on Tarutaoby Mirt
Mining Noise Monitoringby Mirt
Temples in Sukhothaiby Mirt
Deer Rut Time EPby Mirt
Bikes in Hanoi, Bats in Phong Nhaby Mirt
Istanbul. Aux Oreilles D'un Etrangerby Rafał Kołacki
Khmer & Siam Recordingsby Mirt
Since 2014 Saamleng is a label dedicated to field recordings.
We release physical and digital albums. We are interested in soundscapes in all forms, biophony, geophony and anthropophony can be equally fascinating to us.
We do not release music. We listen to all field recording demos, but only respond if we are interested in releasing the material.