Preach by The 150 Friends Club
The Family Is A Violent Event.
Twenty years in the writing, thousands of hours and pounds in the making, Preach - A Domestic Rock Opera, the second full length album by The 150 Friends Club arrives.
Tracklist
| 1. | Sinner & Saint | 5:15 |
| 2. | Beautiful Child | 4:58 |
| 3. | A Particular Way | 1:54 |
| 4. | Giver Of Life (An Ode To Mothers) | 4:18 |
| 5. | Lover Of Your Life | 5:05 |
| 6. | Suckers | 4:19 |
| 7. | Stay True | 5:15 |
| 8. | Why I Don't Look | 2:38 |
| 9. | Love Is Real | 5:21 |
| 10. | What Difference | 3:33 |
| 11. | Coward's Lullaby | 6:17 |
| 12. | Oh My Golly | 4:12 |
Credits
released September 3, 2022
Songs by David Goo.
Arranged by David Goo and everyone involved (if there's a bit you particularly like, there's a strong chance someone in the band thought of it, especially if they're playing it).
Recorded at Mattison Studios, engineered and mixed by Julien Baraness. Piano and hammond recorded at Snap Studios, engineered by Julien Baraness. Assistant engineers at Snap: Billy Foster and Luke Harvey.
Piano for Coward's Lullaby recorded at Moi Moi Moi studios, engineered by Oliver Price.
Additional strings recorded at Richard Moore's place.
Preproduction work done at Emma Newman-Sparre's place, engineered by Ian Newman.
Saxophones recorded at Gabriele Pribetti's studio.
Mandolin and Bouzouki recorded at the Jazz Lounge by Gareth Ackland.
Mariya Brachkova's vocal on Sinner & Saint recorded at Mariya's house.
Electric guitars and bass by Charlie Coulson-Smith.
Bass by Ian Newman on Tracks 1-2, 4-5.
Vocals, acoustic guitar, piano and hammond by David Goo.
Vocals and percussion by Mariya Brachkova.
Cello by Klara Schumann.
Strings by Richard Moore.
Violin by Barbara Bartz on tracks 1-2, 4.
Drums by Oliver Dacombe.
Bass and guitar on Why I Don't Look by Elliot Mason who appears courtesy of Mason Giles.
The scream of 'How' in Why I Don't Look (y'know, after the 'lai lai lai I'm so happy' bit) is also by Elliot Mason.
Trumpets by Evan Clegg.
Saxophones on Oh My Golly by Gabriele Pribetti.
Baritone Sax on Why I Don't Look by María Martinez Guardiola.
Mandolin and Bouzouki by Gareth Ackland.
Guest vocals on Coward's Lullaby: Gareth Ackland, Oliver Dacombe and Julien Baraness.
Pedal Steel on Stay True by Joe Harvey-White.
Julien Baraness also sings bits on What Difference and plays lead guitar on Coward's Lullaby and What Difference. He also programmed a bunch of sounds and keyboard effects. And he's a very nice guy, as is everyone involved (gals too).
Cover artwork by Mariya Brachkova.
Mastered by Pete Maher.
Published by Wixen Music.
Many thanks to everyone who got involved, and to Mccann London and eBay for buying the song that paid for this, and for the British Government for giving me money during lockdown. If it wasn't for these factors, and for a very understanding partner (here's to you, Anna) this album simply couldn't have been made. Tis a peculiar old world... BOOM!
Songs by David Goo.
Arranged by David Goo and everyone involved (if there's a bit you particularly like, there's a strong chance someone in the band thought of it, especially if they're playing it).
Recorded at Mattison Studios, engineered and mixed by Julien Baraness. Piano and hammond recorded at Snap Studios, engineered by Julien Baraness. Assistant engineers at Snap: Billy Foster and Luke Harvey.
Piano for Coward's Lullaby recorded at Moi Moi Moi studios, engineered by Oliver Price.
Additional strings recorded at Richard Moore's place.
Preproduction work done at Emma Newman-Sparre's place, engineered by Ian Newman.
Saxophones recorded at Gabriele Pribetti's studio.
Mandolin and Bouzouki recorded at the Jazz Lounge by Gareth Ackland.
Mariya Brachkova's vocal on Sinner & Saint recorded at Mariya's house.
Electric guitars and bass by Charlie Coulson-Smith.
Bass by Ian Newman on Tracks 1-2, 4-5.
Vocals, acoustic guitar, piano and hammond by David Goo.
Vocals and percussion by Mariya Brachkova.
Cello by Klara Schumann.
Strings by Richard Moore.
Violin by Barbara Bartz on tracks 1-2, 4.
Drums by Oliver Dacombe.
Bass and guitar on Why I Don't Look by Elliot Mason who appears courtesy of Mason Giles.
The scream of 'How' in Why I Don't Look (y'know, after the 'lai lai lai I'm so happy' bit) is also by Elliot Mason.
Trumpets by Evan Clegg.
Saxophones on Oh My Golly by Gabriele Pribetti.
Baritone Sax on Why I Don't Look by María Martinez Guardiola.
Mandolin and Bouzouki by Gareth Ackland.
Guest vocals on Coward's Lullaby: Gareth Ackland, Oliver Dacombe and Julien Baraness.
Pedal Steel on Stay True by Joe Harvey-White.
Julien Baraness also sings bits on What Difference and plays lead guitar on Coward's Lullaby and What Difference. He also programmed a bunch of sounds and keyboard effects. And he's a very nice guy, as is everyone involved (gals too).
Cover artwork by Mariya Brachkova.
Mastered by Pete Maher.
Published by Wixen Music.
Many thanks to everyone who got involved, and to Mccann London and eBay for buying the song that paid for this, and for the British Government for giving me money during lockdown. If it wasn't for these factors, and for a very understanding partner (here's to you, Anna) this album simply couldn't have been made. Tis a peculiar old world... BOOM!
