Ventana by Atticus Reynolds
Tracklist
1. | Lesson 1 | 4:03 |
2. | Prelude to Pintada | 1:58 |
3. | Pintada | 8:13 |
4. | Cacique | 8:21 |
5. | Hoyomula | 1:59 |
6. | Ave Andalucía | 6:36 |
7. | Seis Corrido | 1:52 |
8. | Ventana | 5:59 |
9. | Maelo | 5:27 |
10. | Yubá Masón | 1:58 |
11. | Lesson 2 | 4:05 |
Credits
released July 29, 2017
Atticus Reynolds-Drums/Percussion
Pablo Campos-Piano/Fender Rhodes
Kevin Beardsley-Acoustic/Electric Bass
Daniel Ramirez-Trumpet
Jonathan Suazo-Alto Saxophone
Beto Torrens-Barril on 1,4,5,7,10,11//Congas on 3//Surdo Setup on 6
Jason Richmond-Mixing
Jeff Carroll-Mastering
Leila Mattina-Album Artwork
Cameron Cook-Layout Design
(All songs recorded at Playbach Studios December 22nd and 23rd, 2016)
Acknowledgements: First I would like to thank my wonderful and supportive girlfriend Aiko and my parents for all your help and guidance both with this project and throughout the years. I would like to thank my professors, Jim Ketch, Stephen Anderson, and David Garcia, my teachers in PR, Andrew Lázaro and Beto Torrens, and my friends Francisco Alcalá, Arturo Rodriguez, and Timothy Cooper. I couldn’t have done this without the financial support of the Kenan Trust, the Mayo grant, the UNC Jazz Studies award, the Nelson Delgado Latin Jazz Studies award, and the gracious help of my wonderful grandparents, Phil and Marilyn Brobst. A final thanks goes to the folks at Playbach Studios and my great friend and teacher Juan Alamo for continuing to inspire me to learn and create.
This Album is dedicated to the loving memory of Nelson Delgado.
Atticus Reynolds-Drums/Percussion
Pablo Campos-Piano/Fender Rhodes
Kevin Beardsley-Acoustic/Electric Bass
Daniel Ramirez-Trumpet
Jonathan Suazo-Alto Saxophone
Beto Torrens-Barril on 1,4,5,7,10,11//Congas on 3//Surdo Setup on 6
Jason Richmond-Mixing
Jeff Carroll-Mastering
Leila Mattina-Album Artwork
Cameron Cook-Layout Design
(All songs recorded at Playbach Studios December 22nd and 23rd, 2016)
Acknowledgements: First I would like to thank my wonderful and supportive girlfriend Aiko and my parents for all your help and guidance both with this project and throughout the years. I would like to thank my professors, Jim Ketch, Stephen Anderson, and David Garcia, my teachers in PR, Andrew Lázaro and Beto Torrens, and my friends Francisco Alcalá, Arturo Rodriguez, and Timothy Cooper. I couldn’t have done this without the financial support of the Kenan Trust, the Mayo grant, the UNC Jazz Studies award, the Nelson Delgado Latin Jazz Studies award, and the gracious help of my wonderful grandparents, Phil and Marilyn Brobst. A final thanks goes to the folks at Playbach Studios and my great friend and teacher Juan Alamo for continuing to inspire me to learn and create.
This Album is dedicated to the loving memory of Nelson Delgado.