Megaliths (CSR334CD) by Llyn Y Cwn
Tracklist
1. | Bryn Cader Faner | 6:01 |
2. | Boscawen Un | 5:28 |
3. | Bryn Celli Ddu | 6:39 |
4. | Y Meini Hirion | 6:31 |
5. | Pentre Ifan | 7:58 |
6. | Machrie Moor | 5:01 |
7. | Fernworthy | 6:21 |
8. | Avebury | 4:40 |
9. | Barclodiad-y-Gawres | 6:31 |
10. | Cashelkeelty | 7:33 |
Videos
Credits
released March 29, 2024
Music & Photography: Benjamin Ian Powell
Layout: Abby Helasdottir
Mastering: Martin Bowes (The Cage).
Videos by Abby Helasdottir:
'Machrie Moor' Visualiser: youtu.be/J43fbQvviH0
'Pentre Ifan' Visualiser: youtu.be/2CB5fwAGnSc
'Bryn Cader Faner' Visualiser: youtu.be/aKlDYOvNZFs
Album teaser: youtu.be/aKlDYOvNZFs
REVIEWS:
* Best Releases Of 2024: Musique Machine
"By definition, dark ambient music tends not to make for the most uplifting listening experience. But Welsh producer Ben Powell bucks against the grain with Megaliths... Yes, a sense of solemnity pervades - at times as thick as a blanket of fog hanging low over a Welsh moor - but the album also courses with reverence and exaltation for nature... Though he aimed for an ominous sound, he crafted an invigorating - and highly spirited - reminder of our connection to the physical world around us" (PopMatters).
"Huge, yet intimate soundscapes... Lyn Y Cwn has created something that stands out, something that truly realises its aims, holding the listener throughout the course of the album and transporting them to hilltop, moor, mountain and chalk down, across the land. Llyn Y Cwn does an extraordinary job of conjuring pieces of art that, in the absence of continuity and written record, enable us to immerse ourselves in a sonic landscape where the atavistic imagination can reach back and down, creating authentic rituals tied to the ancient past" (The Sleeping Shaman).
"[These] big, or rather massive, soundscapes sound better on loudspeakers. That way, the music becomes more immersive... we know this music originates in burial chambers, so maybe that explains why some of this has an extra mysterious dimension, as if we can hear the voices of ghosts in these pieces. Haunting is an easily overused word, but it fits well in this case... an excellent trip for the dark and rainy days" (Vital Weekly)
"Es ist schon beeindruckend, wie der Produzent mitt dem Projekt versucht, die Umgebund von Llyn Y Cwn nachzubilden, die rau und trostlos, aber gleichzeitig wunderschön ist. Die Tracks enthalten Fieldrecordings aus den Bergen von Nordwales und sollen beim Einschlafen abgespielt werden. Dark Ambient in absoluter Reinform: monumentale düstere Soundwälle, die das menschliche Bewusstsein komplett austricksen" (Sonic Seducer)
Music & Photography: Benjamin Ian Powell
Layout: Abby Helasdottir
Mastering: Martin Bowes (The Cage).
Videos by Abby Helasdottir:
'Machrie Moor' Visualiser: youtu.be/J43fbQvviH0
'Pentre Ifan' Visualiser: youtu.be/2CB5fwAGnSc
'Bryn Cader Faner' Visualiser: youtu.be/aKlDYOvNZFs
Album teaser: youtu.be/aKlDYOvNZFs
REVIEWS:
* Best Releases Of 2024: Musique Machine
"By definition, dark ambient music tends not to make for the most uplifting listening experience. But Welsh producer Ben Powell bucks against the grain with Megaliths... Yes, a sense of solemnity pervades - at times as thick as a blanket of fog hanging low over a Welsh moor - but the album also courses with reverence and exaltation for nature... Though he aimed for an ominous sound, he crafted an invigorating - and highly spirited - reminder of our connection to the physical world around us" (PopMatters).
"Huge, yet intimate soundscapes... Lyn Y Cwn has created something that stands out, something that truly realises its aims, holding the listener throughout the course of the album and transporting them to hilltop, moor, mountain and chalk down, across the land. Llyn Y Cwn does an extraordinary job of conjuring pieces of art that, in the absence of continuity and written record, enable us to immerse ourselves in a sonic landscape where the atavistic imagination can reach back and down, creating authentic rituals tied to the ancient past" (The Sleeping Shaman).
"[These] big, or rather massive, soundscapes sound better on loudspeakers. That way, the music becomes more immersive... we know this music originates in burial chambers, so maybe that explains why some of this has an extra mysterious dimension, as if we can hear the voices of ghosts in these pieces. Haunting is an easily overused word, but it fits well in this case... an excellent trip for the dark and rainy days" (Vital Weekly)
"Es ist schon beeindruckend, wie der Produzent mitt dem Projekt versucht, die Umgebund von Llyn Y Cwn nachzubilden, die rau und trostlos, aber gleichzeitig wunderschön ist. Die Tracks enthalten Fieldrecordings aus den Bergen von Nordwales und sollen beim Einschlafen abgespielt werden. Dark Ambient in absoluter Reinform: monumentale düstere Soundwälle, die das menschliche Bewusstsein komplett austricksen" (Sonic Seducer)