Inheritance by Deathless Gods with Human Bods
Tracklist
1. | Inheritance | 4:16 |
2. | Corn Husks | 4:05 |
3. | XXS | 5:24 |
4. | Unreal Ingenue | 3:37 |
5. | Mr. X Revises the Narrative | 4:16 |
6. | Conjuro (interlude) | 0:40 |
7. | Summer of Sharks | 4:16 |
8. | Exit | 4:24 |
9. | Intermission | 1:41 |
10. | Teatro Massimo | 3:56 |
11. | The Golden Book Encyclopedia, Book 9 - Labor Day to Matches | 3:54 |
12. | Underground Tree | 6:11 |
13. | Mambo of Order and Alignment | 5:27 |
14. | Post Op | 9:09 |
15. | Manzanita | 3:37 |
Credits
released May 10, 2019
We would like to acknowledge the Gabrielino-Tongva tribe โ the traditional caretakers of the unceded land on which this album was made โ including elders past and present and future generations.
All songs written by Adrian Jade Matias Bell and Mars Avila
Tracks 6 and 15 written by Mars Avila
Produced and mixed by Mars Avila
Vocals by Mars Avila and Adrian Jade Matias Bell
Samples on Track 4 from "Procession of the Princes," "The Games," and "The High Priest of the Aztecs," all composed by Les Baxter and produced by Voyle Gilmore for the album "The Sacred Idol," released by Capitol Records in 1960.
Samples on Track 5 from "Heigh-Ho! (The Dwarfs' Marching Song)," performed by Tom Waits on the album "Stay Awake," released by A&M Records in 1988.
Samples on Track 13 from "Magic is the Moonlight," composed by Paul Weston from the album "Caribbean Cruise," released by Columbia Records in 1953.
Interviews with Ariela Barer, Ann Valdes, Cecilia Sweet-Coll, Susan Avila, Stephen Gong, Rosie Avila, Donna Matias, and Kai Matias Bell
Guitar on tracks 5, 6, and 7 by Adrian Jade Matias Bell
Clave on track 13 by Cecilia Sweet-Coll
Guitar on track 12 and dobro on track 14 by Stephen Gong
From Mars:
Thank you to DJ and Holly and Evan and Bodie and everyone at MA+P for teaching me the power of critical making.
Thank you to Malin for teaching me the power of trust.
Thank you to Ceci for teaching me the power of crying.
Thank you to my family for teaching me the power of the self I've built.
From Jade:
Thank you to Mom and Kai for letting me record your voices and for creating a life full of love and shenanagins with me.
Thank you to Hector for advising my thesis, which was the theoretical basis of this project, and for indulging my weird ideas with understanding and kindness.
Thank you to Jacob for your unconditional love and eternal patience as I sweated my way through this project and so many others, and for taking me to the urgent care when I destroyed my knee picking an orange in your backyard.
We would like to acknowledge the Gabrielino-Tongva tribe โ the traditional caretakers of the unceded land on which this album was made โ including elders past and present and future generations.
All songs written by Adrian Jade Matias Bell and Mars Avila
Tracks 6 and 15 written by Mars Avila
Produced and mixed by Mars Avila
Vocals by Mars Avila and Adrian Jade Matias Bell
Samples on Track 4 from "Procession of the Princes," "The Games," and "The High Priest of the Aztecs," all composed by Les Baxter and produced by Voyle Gilmore for the album "The Sacred Idol," released by Capitol Records in 1960.
Samples on Track 5 from "Heigh-Ho! (The Dwarfs' Marching Song)," performed by Tom Waits on the album "Stay Awake," released by A&M Records in 1988.
Samples on Track 13 from "Magic is the Moonlight," composed by Paul Weston from the album "Caribbean Cruise," released by Columbia Records in 1953.
Interviews with Ariela Barer, Ann Valdes, Cecilia Sweet-Coll, Susan Avila, Stephen Gong, Rosie Avila, Donna Matias, and Kai Matias Bell
Guitar on tracks 5, 6, and 7 by Adrian Jade Matias Bell
Clave on track 13 by Cecilia Sweet-Coll
Guitar on track 12 and dobro on track 14 by Stephen Gong
From Mars:
Thank you to DJ and Holly and Evan and Bodie and everyone at MA+P for teaching me the power of critical making.
Thank you to Malin for teaching me the power of trust.
Thank you to Ceci for teaching me the power of crying.
Thank you to my family for teaching me the power of the self I've built.
From Jade:
Thank you to Mom and Kai for letting me record your voices and for creating a life full of love and shenanagins with me.
Thank you to Hector for advising my thesis, which was the theoretical basis of this project, and for indulging my weird ideas with understanding and kindness.
Thank you to Jacob for your unconditional love and eternal patience as I sweated my way through this project and so many others, and for taking me to the urgent care when I destroyed my knee picking an orange in your backyard.