宠儿（CHONG ER） by 彭喜悦（TingTing）

PENG XIYUE (TingTing) is releasing her first personal album at the end of the spring 2021. Words and sentiments are carriers, and rapping is not a limiting form.

The album speaks as she looks at herself through a mirror, observing but experiencing at the same time as the story goes.

“I like to start from what I define as the ‘beginning of all’: nature, mother, teeth, and the love. Tracks in the album are trying to tell my yearning for a simple life. I remain in the room in the city every day and night, having a pair of dancing shoes seeded in my heart, but they just got damped down there.”

“Most people are used to just turning away from their inevitable pessimism.”
CHONG ER is made up of eight tracks, all about the “self”. They are the introspection at the pretending composed moment, the continuous soliloquy, also the taciturnity.

As PENG XIYUE puts all herself into the making of music, the visual design of CHONG ER is paid with the same earnestness, breathing together with the image that words express. Eating Music producer Sdewdent joined the work on several tracks. As he hopes to create Organic Hip-Hop, Sdewdent takes over the making of background music and post-production, assisting PENG XIYUE to present an explicit, integrated, and musically abundant album. “PNG XIYUE and I both attempt to keep what Hip-Hop music made us feel as we ever had from the beginning, since it was foreign at all.” Singer / Artist DBZ joined the work for track "LI ZHI". Being the last track of the album, it build a perfect ambiance and imagery. The design of the cover and the merch gives credit for independent illustrator XINXIN XU, “The music sounds so nice, like a story happening at dusk, a person leaving to somewhere, the cover allows infinite imagination about the relationship between the two on it.”

Music is the best connecting passway for records and yearnings; doubts or introspections are hidden in the songs, waiting to be found.


以语言和情绪为载体，不以说唱形式为界，创作歌手彭喜悦首张个人专辑2021年春末发布。

“是非里、是非外，以一个旁观者的角度去观察各种人事物，有惊喜、有失望，所以情绪里有愤怒、有喜悦。”
专辑叙事在镜像观察中展开，以旁观的，同时也是“我”的身份去设身处地感受每首歌里的故事。

“我喜欢从我理解的‘一切的开始’说起：自然、母亲、牙齿和爱人。”
苦月亮、龋齿和胎毛、荔枝；

“专辑的几首歌都在表达对淳朴生活的憧憬，正如我每日每夜呆坐在城市的中心的楼房里，心里藏了双舞鞋，却弄湿在心底的深渊。”
木寸、窄门、大都会启示录、罗明……

“多数人都习惯逃避自己不愿意面对的悲观。”
八个与“自我”有关的篇章连结而成的《宠儿》是每个故作镇定时刻的诘问，是绵绵不绝的旁白，也是沉默无声。

在彭喜悦的全心投入表达之间，《宠儿》的音乐与视觉设计也是真挚细腻的，同语言意象共同呼吸。宜听音乐制作人 Sdewdent 参与了其中多首曲目的创作，以他期望制造的 "Organic" Hip-Hop 入手，从伴奏到后期细致把控风格与听感，协力呈现一张品质说唱专辑该有的直白、完整、与音乐丰富性，“这张专辑我和彭喜悦都希望保留这种舶来品（嘻哈音乐）带给我们刚开始接触它的最直接的感受”。其中单曲“荔枝”邀请到同样优秀的音乐人 DBZ 参与创作，为专辑结尾贡献了绝佳的氛围与开阔视野。封面与周边设计特别邀请到独立插画师 XINXIN XU 加持，“听音乐感觉很舒服，像发生在傍晚的故事，一个人要去往某个地方，这个封面为画中人的关系赋予一个无限的空间……”

记录或憧憬，音乐是最好的连接通道，疑问或自省，都写在歌里，听众会找到自己的位置。

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