Techno kryptA by Air Protection Office
[EKR002]
Produced by EKAR RECORDS label.
Written, produced and recorder by Air Protection Office.
Mixed and Mastered at Transfert studio by: Mauro Martinuz.
Techno kryptA by Air Protection Office is licensed under a Creative Commons license BY-NC-ND.
Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Permissions beyond the scope of this license may be available at ekar-records.tumblr.com/contact
credits
Credits
Artwork by: Sherbert H. www.sherberth.com
Air Protection Office is an electronic music project born in Berlin in 2011, from the collaboration between Enrico Bozzato and Mauro Martinuz. A.P.O doesn’t fit into any of the strictly defined music genre, it’s an “open project”.
Enrico Bozzato (Bos), born and raised in North Italy, is the main producer. He is a composer, sound designer, installation artist and audiovisual performer. After attending a technical school (Electronics and Telecommunications) he decided to deepen his interests in Visual arts attending the University of Visual and Preforming Arts in Venice (Italy). There he took part at courses that allowed him to pursue his interests and try new approaches in the sound and visual areas. This mixture of Technical and Artistic education has a considerable prominence on the things he does. He collaborates with Transfert studio (sound studio) and with the visual artist Martin Romeo. Enrico’s main projects are A.P.O, bild and Dört.
Mauro Martinuz (Italy) Co-founder of the project, sound engineer, soundtrack composer for cinema and contemporary theater, owner of the Transfert studio and founder of NEDAC collective. Even if not always present in the composition process, he plays an important role in the project expecially in the post production task.
License
CC BY-NC-ND 3.0. See the Creative Commons website for details.
a sharing-platform that allows some friends to publish their works, music and artworks.
Supporting and sharing the idea of spreading creativity and passion without limiting the enjoyment to specific audiences, especially based on monetary reasons, leaving to the user the freedom and the power to support the label and the artists as they like, based on what the music was worth to them.