Anisixia by Eventless Plot
Anisixia (2019)
Vasilis Liolios - psaltery (e bow)
Nefeli Sani - piano
Chris Cundy - bass clarinet
Aris Giatas - analog synth
Eva Matsigou - flute
Yiannis Tsirikoglou - electronics Max/MSP
Variations of the initial score were incorporated within the choreographic performance “guest project” presented at the Archeological Museum of Thessaloniki, October 2019.
Tracklist
| 1. | Anisixia | 36:35 |
Credits
released June 18, 2021
Composed and recorded by Eventless Plot
Mastered by Yiannis Tsirikoglou
Photo by Nikos Kostopoulos
Executive production by Antoine Beuger
Layout by Daniel Bechem, mess media, Berlin
Printed by Das Druckhaus, Korschenbroich
EDITION WANDELWEISER RECORDS
Edition of 300 copies | cd
www.eventlessplot.com
www.wandelweiser.de
PRESS - REVIEWS
KEITH PROSK - HARMONIC SERIES (USA) : While the notes provide no context for it, i imagine some psychodrama of tension and intimacy, in which instrumental characters dialogue as if in some tragedy, not unlike Sarah Hennies' Reservoir pieces or The Reinvention of Romance.
OPDUVEL (NL) : The beauty of the music is revealed very quickly and grows as you repeatedly listen to the piece. Every tone and detail matters in this music. The album overwhelms you in an easy and natural way.
FOTIS NIKOLAKOPOULOS - FREEJAZZBLOG (BE) : There’s a hidden, cinematic feeling willing to unveil itself after repeated listening.
ALEX TRIPP - ENDAURAL (USA) : The music here moves very slowly but still gives you a lot, there 's individual instruments that pop up with small single note contributions for each moment, but there 's a good number of performers so that you 're never left too long in the silence. You still will have something that doesn't give you a lot of strong indications that you're going places, if you skip around through the piece it might feel like it's meandering around in entirely the same place for most of the runtime. But that's a terrible way to listen to music like this! I find that letting myself sink down into the time that it's operating in, there's these feelings that creep in that i'm not sure how to describe but it doesn't leave me in the same place i started. Beautiful stuff right here.
NICK OSTRUM - THE SQUID'S EAR (USA) : Eventless Plot, in other words, works within a recently established electro-acoustic tradition that one can trace through labels such as Another Timbre (who released the ensemble's Parallel Worlds in 2020) and, of course, Wandelweiser as of late. And they do it exceedingly well and to a heavy emotive effect.
Composed and recorded by Eventless Plot
Mastered by Yiannis Tsirikoglou
Photo by Nikos Kostopoulos
Executive production by Antoine Beuger
Layout by Daniel Bechem, mess media, Berlin
Printed by Das Druckhaus, Korschenbroich
EDITION WANDELWEISER RECORDS
Edition of 300 copies | cd
www.eventlessplot.com
www.wandelweiser.de
PRESS - REVIEWS
KEITH PROSK - HARMONIC SERIES (USA) : While the notes provide no context for it, i imagine some psychodrama of tension and intimacy, in which instrumental characters dialogue as if in some tragedy, not unlike Sarah Hennies' Reservoir pieces or The Reinvention of Romance.
OPDUVEL (NL) : The beauty of the music is revealed very quickly and grows as you repeatedly listen to the piece. Every tone and detail matters in this music. The album overwhelms you in an easy and natural way.
FOTIS NIKOLAKOPOULOS - FREEJAZZBLOG (BE) : There’s a hidden, cinematic feeling willing to unveil itself after repeated listening.
ALEX TRIPP - ENDAURAL (USA) : The music here moves very slowly but still gives you a lot, there 's individual instruments that pop up with small single note contributions for each moment, but there 's a good number of performers so that you 're never left too long in the silence. You still will have something that doesn't give you a lot of strong indications that you're going places, if you skip around through the piece it might feel like it's meandering around in entirely the same place for most of the runtime. But that's a terrible way to listen to music like this! I find that letting myself sink down into the time that it's operating in, there's these feelings that creep in that i'm not sure how to describe but it doesn't leave me in the same place i started. Beautiful stuff right here.
NICK OSTRUM - THE SQUID'S EAR (USA) : Eventless Plot, in other words, works within a recently established electro-acoustic tradition that one can trace through labels such as Another Timbre (who released the ensemble's Parallel Worlds in 2020) and, of course, Wandelweiser as of late. And they do it exceedingly well and to a heavy emotive effect.
License
All rights reserved.
Eventless Plot borrows elements from different genres and aesthetics to build their own hybrid of sound. Formed in Thessaloniki in 2002 by Vasilis Liolios, Aris Giatas and Yiannis Tsirikoglou, the trio exhibits great attention to sonic details expressed in different forms of experimentalism. They use a variety of instruments, analog sources, field recordings and Max/MSP patches.