SaskieWoxi by cd_slopper
cd_slopper - SaskieWoxi
Digital reissue artist edition - originally Ⓟ&© 2000 OR as JODEL 10
1/ availability, 2/ completeness
The enhanced portion of the disc includes 157.9 MB of files including HTML and various other file types. This folder is available as a zipped bonus item. The file is X_P.jpg which is in fact a zip file so you maybe need to rename it to X_P.zip, either way unzip it to get at a folder of early HTML web art and a couple of C programs you can use to create ascii art.
Tracklist
| 1. | track1 | 0:11 |
| 2. | track2 | 2:17 |
| 3. | track3 | 0:45 |
| 4. | track4 | 0:12 |
| 5. | track5 | 0:13 |
| 6. | track6 | 0:09 |
| 7. | track7 | 0:15 |
| 8. | track8 | 0:13 |
| 9. | track9 | 0:09 |
| 10. | track10 | 1:04 |
| 11. | track11 | 0:58 |
| 12. | track12 | 1:14 |
| 13. | track13 | 0:24 |
| 14. | track14 | 0:04 |
| 15. | track15 | 0:30 |
| 16. | track16 | 0:26 |
| 17. | track17 | 0:26 |
| 18. | track18 | 0:06 |
| 19. | track19 | 0:55 |
| 20. | track20 | 0:28 |
| 21. | track21 | 1:04 |
| 22. | track22 | 1:02 |
| 23. | track23 | 0:43 |
| 24. | track24 | 1:43 |
| 25. | track25 | 1:04 |
| 26. | track26 | 1:36 |
| 27. | track27 | 2:11 |
| 28. | track28 | 0:11 |
| 29. | track29 | 1:15 |
| 30. | track30 | 2:19 |
| 31. | track31 | 0:44 |
| 32. | track32 | 1:26 |
| 33. | track33 | 0:54 |
| 34. | track34 | 0:47 |
| 35. | track35 | 0:12 |
| 36. | track36 | 0:37 |
| 37. | track37 | 0:40 |
| 38. | track38 | 0:11 |
| 39. | track39 | 2:02 |
| 40. | track40 | 0:42 |
| 41. | track41 | 1:15 |
| 42. | track42 | 0:30 |
| 43. | track43 | 0:38 |
| 44. | track44 | 2:16 |
Credits
Cover artwork by John Miller "Storage area" 1993
Computer [All Header Distracted By] – Heck*, Ost**
Mastered by Denis Blackham @ Country Masters
Published by Touch Music/Fairwood Music UK Ltd.
farmersmxnual presents - generate and test - gt62
License
CC BY 3.0. See the Creative Commons website for details.
farmersmanual is a self-generating memeplex lazily self-organised around the enterprise of doped-out electronics. Since 1996 it has been evolving as a subsurface autopoetic process with erratic overt activity consistently transmitting a unique quality of pathology and beauty skimming the bow-wave of mainstream aesthetics.
(etc++)