π₯π§π€πππππ‘ πππͺπππ©ππ§ by Lyndsey Scott
Tracklist
1. | Already, but not yet | 4:44 |
2. | New Shape | 4:00 |
3. | Water Under the Bridge | 3:12 |
4. | Sing Upon Joy | 3:03 |
5. | I Am Receiving | 7:29 |
6. | Love Dogs | 4:25 |
7. | Deeper | 6:57 |
8. | We are the Door | 3:14 |
9. | Prodigal | 4:47 |
Credits
released July 12, 2024
β¨ @ LAND
These songs were most all caught here, place I love to call the Heartland, place often referred to as the American Midwest, place named by settlers βIllinoisβ after the Illiniwek tribe. Before these lands were stolen they were the traditional territory of the Peoria, Kaskaskia, Piankashaw, Wea, Miami, Mascoutin, Odawa, Sauk, Mesquaki, Kickapoo, Potawatomi, Ojibwe, Menominee, Ho-Chunk, and Chickasaw Nations. I give thanks to these peoples who knew how to live in right relationship with Land, and I pray these songs nourish us back into such aligned consciousness. Special thanks to my place on the prairie where the Middle Fork Vermilion River & Sugar Creek meet.
β¨ @ DRUM
Throughout the album you hear (in addition to all Linder's percussion instruments) my dear drum friends: one is a Remo-made 16β synthetic replica of the Buffalo Drum. One is my very real, dyed bright red buffalo hide drum, created in ceremony with Wamble Luza of the Iron Nation Clan, Lakota, in keeping with his prayer that song + drum heal inherited lineage trauma. Both these drums sing deep and rich as Mama Earthβs heartbeat just like those played widely by original inhabitants of this continent, Turtle Island, as an integral part of spiritual and social life. I bow to this Knowing that comes toward me in this time and way, and how it is changing me and my prayers. I bow to the people and places that grew this technology. With humility and holding the complexity, I pick up this drum as a descendent of European colonizers and ask that these prayers move through me in a good way that contributes to the mending of the web of life and to the profound reparations yet needed.
β¨ @ LINEAGE + GRATITUDES
Love to my first music teacher, my mama, church pianist, whose nightly ritual of playing her heartsong to G*d planted vital + sacred seeds of Song as sanctuary, and freedom in Devotion.
Cheers with this cup overflowing to my beloved, Tony, who lifts me up and walks beside me and opens me to Love beyond my dreams.
Big ups to Michael Linder! my dear brother, Producer, and creative collaborator who takes these simple stacking songs and turns them into something we can Feel.
Thank you to all yaβll Song Kin who are dreaming, leading, composing, and daring joyful noise in the community singing movement, & most especially my original teachers Liz Rog and Lisa G Littlebird, for opening this life-giving way of being for me.
I am deeply influenced by Black music, soul, beats, gospel, β- you hear imprints of this in the music I bring through. I give praise and thanks to this legacy. As a white-bodied person, I commit to be in the lifelong work of dismantling white supremacy inside of me and the systems we live in.
κ© Find individual song credits + song stories by clicking the track title.
β¨ @ LAND
These songs were most all caught here, place I love to call the Heartland, place often referred to as the American Midwest, place named by settlers βIllinoisβ after the Illiniwek tribe. Before these lands were stolen they were the traditional territory of the Peoria, Kaskaskia, Piankashaw, Wea, Miami, Mascoutin, Odawa, Sauk, Mesquaki, Kickapoo, Potawatomi, Ojibwe, Menominee, Ho-Chunk, and Chickasaw Nations. I give thanks to these peoples who knew how to live in right relationship with Land, and I pray these songs nourish us back into such aligned consciousness. Special thanks to my place on the prairie where the Middle Fork Vermilion River & Sugar Creek meet.
β¨ @ DRUM
Throughout the album you hear (in addition to all Linder's percussion instruments) my dear drum friends: one is a Remo-made 16β synthetic replica of the Buffalo Drum. One is my very real, dyed bright red buffalo hide drum, created in ceremony with Wamble Luza of the Iron Nation Clan, Lakota, in keeping with his prayer that song + drum heal inherited lineage trauma. Both these drums sing deep and rich as Mama Earthβs heartbeat just like those played widely by original inhabitants of this continent, Turtle Island, as an integral part of spiritual and social life. I bow to this Knowing that comes toward me in this time and way, and how it is changing me and my prayers. I bow to the people and places that grew this technology. With humility and holding the complexity, I pick up this drum as a descendent of European colonizers and ask that these prayers move through me in a good way that contributes to the mending of the web of life and to the profound reparations yet needed.
β¨ @ LINEAGE + GRATITUDES
Love to my first music teacher, my mama, church pianist, whose nightly ritual of playing her heartsong to G*d planted vital + sacred seeds of Song as sanctuary, and freedom in Devotion.
Cheers with this cup overflowing to my beloved, Tony, who lifts me up and walks beside me and opens me to Love beyond my dreams.
Big ups to Michael Linder! my dear brother, Producer, and creative collaborator who takes these simple stacking songs and turns them into something we can Feel.
Thank you to all yaβll Song Kin who are dreaming, leading, composing, and daring joyful noise in the community singing movement, & most especially my original teachers Liz Rog and Lisa G Littlebird, for opening this life-giving way of being for me.
I am deeply influenced by Black music, soul, beats, gospel, β- you hear imprints of this in the music I bring through. I give praise and thanks to this legacy. As a white-bodied person, I commit to be in the lifelong work of dismantling white supremacy inside of me and the systems we live in.
κ© Find individual song credits + song stories by clicking the track title.
License
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