elsewhere again by YANKEES SUCK
Potemkin Luxury refers to the concept of creating an illusion of opulence or prosperity, often for the purpose of impressing others or maintaining a certain image. The term originates from the story of Grigory Potemkin, a Russian minister in the 18th century, who allegedly constructed impressive but temporary villages along the Dnieper River to deceive Empress Catherine II during her visit to Crimea.
In a modern context, Potemkin Luxury signifies the act of showcasing superficial displays of wealth, grandeur, or extravagance that may not accurately reflect one's true financial or social status. It involves carefully curating and presenting a façade of affluence through material possessions, experiences, or social media posts, while potentially masking underlying financial struggles or insecurities.
Potemkin Luxury can be seen as a form of social performance, where individuals or organizations attempt to project an image of success, refinement, or exclusivity. It is often criticized for its emphasis on appearances over substance and for perpetuating a culture of materialism and status-seeking.
However, it is important to note that not all displays of luxury or wealth should be automatically dismissed as Potemkin Luxury. Genuine prosperity and the enjoyment of one's accomplishments can coexist with a desire to share and celebrate them. The key lies in recognizing the difference between authentic expressions of luxury and those that are merely designed to deceive or impress without substance.
P҉S҉4҉2҉0҉b҉l҉a҉z҉e҉i҉t҉
Tracklist
| 1. | test subject 1 | 2:22 |
| 2. | CYPRESS.PCX | 4:48 |
| 3. | potemkin luxury | 2:34 |
| 4. | superficial living spaces | 5:43 |
| 5. | polished rocks | 2:00 |
| 6. | we must be safe | 1:55 |
| 7. | osmos and ephemera | 5:25 |
| 8. | test subject 2 | 4:03 |
| 9. | the secret room | 3:56 |
| 10. | dead artists | 2:33 |
| 11. | catalyst biophysical | 4:44 |
| 12. | great tree of life | 4:03 |
| 13. | behold the face of god | 2:56 |
| 14. | drown in the riptide | 2:58 |
