Oblicuo by Los Desinhibidos
Tracklist
1. | Chorizo | 4:31 |
2. | Datiles | 4:26 |
3. | Jamon | 3:33 |
4. | Bicampeones | 4:23 |
5. | La Delgada Linea | 4:30 |
6. | Catre | 3:42 |
7. | Kinshasa | 4:57 |
8. | Pal Mijo | 4:40 |
9. | Push Le Mock | 3:19 |
Credits
released November 16, 2022
Produced by Elliott Sharp
Sebastian Cabezas: trumpet.
Carlos Espinosa: electric bass, effects.
Ignacio Mena: Drums, Roland SPD-SX sampling pad.
Luis “Toto” Álvarez: Electric guitar on Kinshasa, Jamón, and Catre.
Recorded at Zorroloco Casa Zorro studio, in January 2022 by Sebastián Cabezas.
Mixed and mastered by E# at Studio zOaR - NYC
Los Desinhibidos say: We thank our families, E#, Luis “toto” Álvarez and Carlitos Manzano.
All songs composed by Sebastian Cabezas (SCD), Carlos Espinosa (SCD), Ignacio Mena (SCD) except Kinshasa, Jamón and Catre: add Luis “Toto” Álvarez (SCD)
Published by zOaR Music - BMI - 2022.
Artwork - E#
Design: Janene Higgins
Sebastian Cabezas (Valparaiso, 1979): Trumpeter and composer with influences ranging from punk to world music. He is a member of Chico Trujillo and La Floripondio, bands with which he has toured various countries for more than twenty years.
Carlos Espinosa (Santiago, 1979): Bassist, composer and educator whose musical influences are found in jazz, rock, funk and instrumental music of the world. He has been actively involved in the Valparaíso music scene for more than fifteen years. He is a member of the Chilean band La Floripondio.
Ignacio Mena (Quillota, 1987)
Drummer, composer and educator who has developed his career from the city of Valparaíso, participating in different musical projects with which he has recorded and toured, with a national and international presence. His influences range from world music, jazz, rock, pop, soul, blues, reggae, and more.
Toto Alvarez
Chilean composer, producer and guitarist ans director of Acéfalo Records and Acéfalo Festival
Present in the music scene since 1992, he has participated since 2001 in projects of composition,
films, research, improvisation and experimental radio. Activist for new relationships in our society through
art and cultural values, and the emancipation of sound and the transcendental heritage of Latin América
Produced by Elliott Sharp
Sebastian Cabezas: trumpet.
Carlos Espinosa: electric bass, effects.
Ignacio Mena: Drums, Roland SPD-SX sampling pad.
Luis “Toto” Álvarez: Electric guitar on Kinshasa, Jamón, and Catre.
Recorded at Zorroloco Casa Zorro studio, in January 2022 by Sebastián Cabezas.
Mixed and mastered by E# at Studio zOaR - NYC
Los Desinhibidos say: We thank our families, E#, Luis “toto” Álvarez and Carlitos Manzano.
All songs composed by Sebastian Cabezas (SCD), Carlos Espinosa (SCD), Ignacio Mena (SCD) except Kinshasa, Jamón and Catre: add Luis “Toto” Álvarez (SCD)
Published by zOaR Music - BMI - 2022.
Artwork - E#
Design: Janene Higgins
Sebastian Cabezas (Valparaiso, 1979): Trumpeter and composer with influences ranging from punk to world music. He is a member of Chico Trujillo and La Floripondio, bands with which he has toured various countries for more than twenty years.
Carlos Espinosa (Santiago, 1979): Bassist, composer and educator whose musical influences are found in jazz, rock, funk and instrumental music of the world. He has been actively involved in the Valparaíso music scene for more than fifteen years. He is a member of the Chilean band La Floripondio.
Ignacio Mena (Quillota, 1987)
Drummer, composer and educator who has developed his career from the city of Valparaíso, participating in different musical projects with which he has recorded and toured, with a national and international presence. His influences range from world music, jazz, rock, pop, soul, blues, reggae, and more.
Toto Alvarez
Chilean composer, producer and guitarist ans director of Acéfalo Records and Acéfalo Festival
Present in the music scene since 1992, he has participated since 2001 in projects of composition,
films, research, improvisation and experimental radio. Activist for new relationships in our society through
art and cultural values, and the emancipation of sound and the transcendental heritage of Latin América
License
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